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Musical modernism : ウィキペディア英語版
Modernism (music)

In music, modernism is a philosophical and aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that lead to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in aesthetic worldviews in close relation to the larger identifiable period of modernism in the arts of the time. The operative word most associated with it is "innovation" . Its leading feature is a "linguistic plurality", which is to say that no one music genre ever assumed a dominant position .
Examples include the celebration of Arnold Schoenberg's rejection of tonality in chromatic post-tonal and twelve-tone works and Igor Stravinsky's move away from metrical rhythm .
==Definitions==

Musicologist Carl Dahlhaus describes modernism as:
an obvious point of historical discontinuity....The "breakthrough" of Mahler, Strauss, and Debussy implies a profound historical transformation.... If we were to search for a name to convey the breakaway mood of the 1890s (a mood symbolized musically by the opening bars of Strauss's ''Don Juan'') but without imposing a fictitious unity of style on the age, we could do worse than revert to Hermann Bahr's term "modernism" and speak of a stylistically open-ended "modernist music" extending (with some latitude) from 1890 to the beginnings of our own twentieth-century modern music in 1910.

Eeri Tarasti defines musical modernism directly in terms of "the dissolution of the traditional tonality and transformation of the very foundations of tonal language, searching for new models in atonalism, polytonalism or other forms of altered tonality", which took place around the turn of the century .
Daniel Albright proposes a definition of musical modernism as, "a testing of the limits of aesthetic construction" and presents the following modernist techniques or styles :
*Expressionism
*New Objectivity
*Hyperrealism
*Abstractionism
*Neoclassicism
*Neobarbarism
*Futurism
*Mythic method

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Modernism (music)」の詳細全文を読む



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